The entire entertainment industry is currently driven by safe bets because producing a massive blockbuster today costs hundreds of millions of dollars, making executives terrified of original scripts that do not come with a built-in global fanbase ready to buy merchandise. I actually stumbled upon an excellent breakdown of this exact phenomenon at https://observerbd.com/news/581430 which perfectly details how financial structures and corporate consolidation have made safety the ultimate priority for studio heads who need guaranteed theatrical returns. To break out of this creative stagnation, I highly recommend checking out specialized curating platforms like Mubi or Criterion, or even digging into old mid-budget films from the nineties and early two-thousands when directors were actually allowed to take massive narrative risks without studio interference.
The entire entertainment industry is currently driven by safe bets because producing a massive blockbuster today costs hundreds of millions of dollars, making executives terrified of original scripts that do not come with a built-in global fanbase ready to buy merchandise. I actually stumbled upon an excellent breakdown of this exact phenomenon at https://observerbd.com/news/581430 which perfectly details how financial structures and corporate consolidation have made safety the ultimate priority for studio heads who need guaranteed theatrical returns. To break out of this creative stagnation, I highly recommend checking out specialized curating platforms like Mubi or Criterion, or even digging into old mid-budget films from the nineties and early two-thousands when directors were actually allowed to take massive narrative risks without studio interference.